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Also, while it can be held and controlled with the left hand, the placement of the screen makes it easier to use in the right. On back of the screen is a stereo microphone, which did a very good job of picking up audio, though its handling of wind noise is not great, which is typical of its class.

Below the lens is a flash that does not double as a video light. Most of the body is made from glossy plastic, so expect to spend time wiping it down if you want it to remain pristine. This is where you’ll find a power button and door for the SDHC card slot. All of the controls are closely packed together on back, but are well positioned for swift operation with your thumb. On the upper right is a video-record button, on the left a shutter release for photos, and between them a spring-loaded slider for the zoom.

Below them are a tiny five-way joystick for navigating and selecting things, a play button, and a menu button that can be programmed to bring up a simple set of options or the CG10’s full settings menu.

The joystick can also be programmed to quickly change things like ISO, flash, exposure compensation, and selecting manual, standard, or macro focus.

Considering all the CG10 can do, it’s an efficient setup. Sanyo did an excellent job of rounding out the shooting options for both videos and photos. Essentially everything you’d expect to find on a simple point-and-shoot still camera is included: face-detection AF, scene modes, filters, and exposure, focus, and ISO controls. Everything you get for photos is available for movies, too, including manual and semimanual controls that you really don’t find on other pocket camcorders.

Performance is, on the whole, slow. When recording movies, the AF system is pokey even in bright conditions. The same goes for shooting photos, plus it seems to take an eternity to capture a shot and get ready to take another. Capture a web page as it appears now for use as a trusted citation in the future. Uploaded by chris85 on June 7, Search icon An illustration of a magnifying glass.

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Video Audio icon An illustration of an audio speaker. Focus method seems an especially odd choice, since most beginners would rather have easy access to something like scene modes. What’s nice about the Simple menus is that they utilize large, friendly icons and have clear descriptions explaining each of the features. It’s a shame we only get such treatment on six functions in the whole camcorder.

Beginners would love a little extra guidance on using the camcorder’s plethora of manual controls. If you do feel yourself ready for the larger menu structure, you’ll just need to spend time searching for everything you need. Even with the most thorough searching, users may miss some of the more stealthily buried features: exposure compensation, auto focus lock, and auto exposure lock are only accessible through joystick shortcuts, which can be custom-configured through the Settings menu.

Menus can be set to one of thirteen different languages, including Spanish, Portuguese, and a number of Asian languages. The Flip—and others like it—have no manual controls whatsoever.

However, many consumers like to have their cake and eat it too: they want the option of manual controls, but with a reliable and effective auto mode. That means that any camcorder in this price range needs to shoot good video when shooting in auto-pilot. The CG10 fares quite well in all of its automatic adjustments. Focus works quickly and smoothly: if you want the effect of a sudden focal change, you’ll need to use manual focus.

Exposure is similarly smooth, but perhaps too slow when shifting between two extreme lighting conditions. To complement the excellent auto focus and exposure, the CG10 has multiple focus methods and metering methods. Auto focus has be set to spot focus or 9-point focus; metering can be multi, center, or spot. A ‘Face Chaser’ option allows the camcorder to detect faces and automatically adjust exposure and focus to accommodate those faces. An auto focus lock and auto exposure lock can be accessed through the customizable shortcuts.

The Sanyo VPC-CG10 also has excellent automatic white balance, which is a real treat for these ultracompact camcorders. What’s worse, most camcorders in this price range lack a manual white balance, so you’re stuck with whatever poor color balance the camcorder has selected for you.

With the CG10, you have excellent auto white balance, several white balance presets, and a manual white balance option. Low Light Modes – In auto mode, the Sanyo will automatically switch to a low shutter speed, but you can tweak a couple of manual controls to further boost brightness in low light—such as shutter speed, aperture, exposure, and ISO.

There is also a High Sensitivity mode, which will automatically adjust all of these things whenever you’re shooting in very dark conditions. A handful of scene modes may also be appropriate for low lighting see below. Scene Modes – The Sanyo comes equipped with a number of scene modes that the user can use to guide auto adjustments to a particular setting. For those accustomed to a traditional horizontal camcorder, the upright design can be a bit unsettling.

These camcorders all have an upright, cellphone-like design. Compared to these ultracompact designs, the CG10 is incredibly comfortable and stable.

You can wrap your hand around the grip and use your thumb to operate all the controls. Plus, it’s smaller and lighter than the Sanyo VPC-HD, so the lack of a hand strap isn’t likely to impact handling. Camcorders like the Flip MinoHD give you nothing to grasp but the broad, flat front of the camcorder—and sometimes the surface is slippery and it’s easy to mistakenly cover the microphone or lens with a stray finger. It’s even easy to use whether you’re left-handed or right-handed.

The one drawback to the CG10’s handling is its poorly designed joystick, which makes item selection trickier than necessary. The joystick isn’t precise enough for quick, responsive control over manual image adjustment or menu navigation. Clicking the joystick in and pushing it in a particular direction feel much the same and there’s no clear distinction between the four cardinal directions and the areas between.

Old camcorders might have worse joysticks, but very few camcorders today use joysticks at all. We think that if you’re going to persist with joystick control, you should have a perfectly designed joystick. Though the small bulk of the lens barrel would stick out, you can slip the CG10 into your back pocket without a problem.

Plus, the LCD is protected by folding into the body of the camcorder—unlike the exposed LCDs of most ultracompact camcorders. The recording media is another plus: SDHC memory cards are tiny and portable. They can be easily swapped in and out if the cards fill up. Of course, since they are so small, you’re a little more likely to lose them—a trouble you won’t encounter with internal memory. Gratefully, the CG10 does not require a docking station in order to make use of these ports; all of the AV and data outputs on the HD were located on a separate dock.

The one frustration you will find in the CG10’s portability has to do with battery life. You cannot charge the battery and use it at the same time. The camcorder simply doesn’t have a DC power input on the body, so you have to remove the battery and charge it separately.

See below. This is a shorter battery life than many of the competing camcorders, which typically last over one hundred minutes. More on how we test battery life. An minute battery life may seem adequate, but we wish it had been better to accommodate the horrendous design that prevents you from charging the battery and operating the camcorder at the same time.

We had this trouble with the Panasonic camcorder, which bury the DC input in the battery cavity to much the same effect. With the Panasonics, however, you can at least plug the camcorder in and operate it that way. The CG10 operates only on battery power. So, if you run out of juice, you’ll need to use a spare battery not included or wait until yours charges up again. The vast majority of camcorders do not have this problem. Many ultracompacts run on removable AA batteries which can be easily swapped in and out or internal batteries, which allow you to plug the camcorder in, even while recording.

For a more traditional camcorder, the CG10 doesn’t really have any excuse for this abysmal design. Plus, an enclosed battery compartment means that you’re stuck with this small battery and cannot upgrade to a larger.

Buying a spare seems like a good—if frustratingly necessary—investment. The battery is in an enclosed compartment and can only be recharged by removing the battery and plugging it into the wall charger.

The screen is mounted on a panel that flips out from the body of the camcorder and can be rotated up to degrees. That makes for easy self-recording, which is not a convenience offered by the Flip UltraHD and many comparable models. The large LCD is an excellent tool for lining up your shots. If the menus aren’t easy to navigate, at least they’re easy to see: three inches is a good amount of real estate. There are seven brightness settings for the LCD. The CG10 does not include any kind of viewfinder.

You’ll have to rely on the LCD to get the job done. The Sanyo VPC-CG10 has digital image stabilization, but the camcorder didn’t show any stabilization improvement when the setting was engaged.

This isn’t that big of surprise, considering the Sanyo VPC-HD also showed no improvement when its digital stabilization system was used. More on how we test stabilization. The CG10 offers only the bare bones of audio functionality. All sound is recorded via the stereo microphone mounted on the rear face of the LCD panel.

The placement of the microphone is off, since the microphone will be facing away from you if you’re doing any self-recording. If you’re recording someone else, at least the mic is facing the right way, even if it is a mediocre stereo input. The CG10 does not offer any alternate microphone inputs, an accessory shoe, headphone jack, or level control. We do feel obligated to mention that our model gave off an irritable, high-pitched squealing sound whenever we were in record mode.

The sound ceased while in Playback mode. The sound was so loud and atrocious that it was clearly audible in all of our recorded video clips. This defect made the audio completely unusable for every single recording.

However, we did exhaustive research, watching countless YouTube clips and reading numerous customer reviews and it seems that no one else experienced this flaw. It seems like we just got an early build or a rare manufacturer defect. If you purchase a VPC-CG10 and it makes this noise, make sure you contact the retailer immediately for a new product.

And let us know that we weren’t alone! Most camcorders ship with a free software CD, but this software usually isn’t anything impressive. The software that shipped with last year’s Sanyo camcorders was certainly functional, but offered nothing that users couldn’t do with iMovie or Windows Movie Maker. For an overview of the software that ships with this and other camcorders, see our article: Video Editing Software For Your Camcorder -Included-Software.

What the CG10 does include is some limited internal editing, including a simple trim feature that allows you to shorten your recorded clip and save is as a new video or overwrite your previous clip. For still photo editing, you can also rotate and resize, but this feature isn’t available for videos. Sanyo is also pushing several other post-production features, such as uploading to YouTube and watching videos on your iPod.

The CG10 doesn’t offer any options that help you in these processes, other than the online guide, called ‘Let’s Shoot More Movies!

Sanyo xacti vpc cg10 software download

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Sanyo xacti vpc cg10 software download

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However, the grip is wide, so smaller hands may have a tough time using it comfortably. Also, while it can be held and controlled with the left hand, the placement of the screen makes it easier to use in the right. On back of the screen is a stereo microphone, which did a very good job of picking up audio, though its handling of wind noise is not great, which is typical of its class. Below the lens is a flash that does not double as a video light.

Most of the body is made from glossy plastic, so expect to spend time wiping it down if you want it to remain pristine. This is where you’ll find a power button and door for the SDHC card slot. All of the controls are closely packed together on back, but are well positioned for swift operation with your thumb. On the upper right is a video-record button, on the left a shutter release for photos, and between them a spring-loaded slider for the zoom.

Below them are a tiny five-way joystick for navigating and selecting things, a play button, and a menu button that can be programmed to bring up a simple set of options or the CG10’s full settings menu.

The joystick can also be programmed to quickly change things like ISO, flash, exposure compensation, and selecting manual, standard, or macro focus. Considering all the CG10 can do, it’s an efficient setup. Sanyo did an excellent job of rounding out the shooting options for both videos and photos.

Essentially everything you’d expect to find on a simple point-and-shoot still camera is included: face-detection AF, scene modes, filters, and exposure, focus, and ISO controls.

Everything you get for photos is available for movies, too, including manual and semimanual controls that you really don’t find on other pocket camcorders. Performance is, on the whole, slow.

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