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You are here: Home » World of Warcraft. No Ratings Yet. Invulnerability Super Mario Galaxy. New Super Mario Bros. WarioWare: Twisted! Breath of Fire. Mario Party 8. Pokemon Pinball. Tales of the Abyss. Ogre Battle Person of Lordly Caliber. A Video Game Symphony. The World Themes open the soundtrack, and unfortunately, despite their indisputable inherent quality, they’re also the least interesting bunch of tracks on the album. The cues’ orchestrations and the general mood they convey mostly remain the same, and the fact that they’ve been programmed back-to-back in one pack doesn’t help matters.

That being said, the familiar formula is applied with obvious skill and panache. Opening tracks “Legends of Azeroth” and “The Shaping of the World” offer nothing that score collectors haven’t heard before in pretty much the same shape on other soundtracks.

Both tracks rely heavily on march rhythms, over which circling violin ostinato figures and swelling brass chords are layered. Both compositions predictably tone down the initial bombast for a lyrical interlude in their second third, whose tender sounds are courtesy of solo violin, woodwind melodies and harp flourishes, and even some short female vocals.

And both cues also abandon this more relaxed mood to ramp up the volume again and hit home with an outburst of orchestral power. But they also feature rich orchestrations which generate both a lush, pleasing sound and sufficient counterpoint to justify repeat listens. And the cues showcase some nice instrumentational details which prove that their creators put some thought into their work.

When “Legends of Azeroth” picks up the pace again in its last third, its propulsive forward drive is created and greatly intensified by duelling rhythmic figures in the antiphonally placed first and second violins one section on the left stereo channel, the other one on the right. And the more optimistic march elements of “The Shaping of the World” are made more colourful through the inclusion of xylophone sounds. Equally, “Echoes of the Past”, after a brief flirt with lighter textures, soon returns to rely on resonant percussion, string ostinati, and male wordless choir to reach a foreseeable grand climax.

But the piece also has the grace to layer some woodwind soli into its thicker-growing textures to avoid staleness. No epic fantasy score would be complete without imposing choral sounds, and of course, World of Warcraft delivers in this regard, although the quality of the results vary. On “The Shaping of the World” and “Echoes of the Past”, the wordless male choir is included just as a textural addition that helps to create a bigger sound.

The choir first takes the spotlight on “A Call to Arms”, and not in a particularly good way. The synthetic nature of the choir is obvious right away, due to its watery sounds that completely lack the necessary power to drive forward the stereotypical march section the choir accompanies. The track’s opening turns out to be much more interesting: droning strings and the distant choir vocals create a palpable feeling of anticipation, before a resonant solo cello is given some room to breath and plays an expressive melody.

But it also uses vocal elements not for rhythmic war cries. Instead, its initial cooing female choir and timpani rolls segues into a solemn, medieval-flavoured passage for male choir, over which another, more flowing choir melody is laid. The music’s feeling of almost religious gravitas and fervour make “Seasons of War” the most impressive composition on the soundtrack so far, even though the later, inevitable march section isn’t quite the stunning conclusion to the grandeur that has proceeded it.

The one cue among the World Themes to thankfully break their overall stylistic mould is “Song of Elune”, although the piece is predictable in that it gives the night elves exactly the sonic identity one would expect. The change in mood and musical texture pays off when the ubiquitous ostinato string rhythms return in the cue’s second half; this time around, they sound fresh and more effective due to being implemented in a new sonic environment.

The score really comes into its own on the following City Themes and Ambient Music compositions. The orchestrations become more varied and atmospheric, the overall ambiance of the soundtrack turns less one-dimensional, and ultimately, the soundtrack turns out to be more successful when it portrays the colourful and mysterious places of Azeroth, instead of trying to overwhelm the listener with images of battles and warfare.

The Humans’ city of Stormwind is given an expectedly majestic character through mighty choir vocals and noble brass and string melodies, but also features a passionate, almost operatic male choral outburst at that is equally surprising and positively stunning. Most interesting is the extensive use of percussive col legno battuto sounds, produced by hitting the violin’s strings with the wood of the bow, and their unexpected timbre increases the sense of eerie unease.

Later in the course of the composition, disembodied synth choirs and effectively layered sound effects prevent the rather ambient track from becoming stale. It is happy to trot along to more march rhythms and booming percussion with only minimal garnishing that is applied without much discernment. One of those composition to rely on simple, but determined rhythms for percussion and choir, “Ironforge” features another tuneful middle section after a martial start.

Some welcome variation is introduced when the march elements are reduced to drums and monotonous double bass accents, against which the composers then pit resonant xylophone, distant female choir notes, and even a trumpet solo to evoke an unexpected feeling of forlorn loneliness.

And then there are two City Themes that venture into stylistically new terrain, at least within the context of this soundtrack. All these produce a warm, earthy atmosphere, which is only fitting for the capital city of the Tauren. After an awkward segue, the track’s second half highlights solo instruments — cello, violin and several woodwind — to a much greater degree than most other material on the soundtrack.

Not only is the melodic writing for these instruments accomplished and produces an attractive, emotionally ambivalent mixture of colourful mystery and resigned grandeur. The solo instruments are also intelligently layered and produce intriguing counterpuntal textures. Like “Song of Elune”, the composition portrays the night elves, and goes even further than that composition in its distinct orchestration.

The track’s otherwordly feeling, courtesy of synth choir, thunderous hand percussion patterns, and purposefully synthesised-sounding brass fanfares, is soon contrasted by spectral, almost harsh layers of synth washes. Throughout its running time, the cue remains fascinatingly ambiguous through the fact that most of the suspended, chromatic synth chords remain unresolved.

The searing finish, which adds an eerie, wordless male choir to the proceedings, closes a cue that feels more like Vangelis than fantasy score, miraculously without breaking the soundtrack’s continuity. The Ambient Music tracks largely repeat the same pattern that the listener has seen with the City Themes. The music mostly remains intriguingly ambivalent. At the same time, piercing sustained violin chords remind the listener that danger might be lurking just around the corner.

Only a misplaced trumpet solo at the end diminishes the joy this cue provides. In the case of “Tanaris”, it doesn’t amount to much more than vaguely unsettling background music. Slow-moving, oppressive brass layers, tense string chord progressions and an appropriately cavernous sounding male choir all do their job in telling the listener that he faces vast, scorching lands, although the choir lacks sufficient presence in the piece’s climax to drive the cue home.

Instrumental creativity is provided in spades by “Shimmering Flats”. Glinting string and horn chords give way to a descending, chromatic string figure that clashes with layered woodwind melodies against a bouncing rhythmic backdrop, before nervous string tremoli and echoing horn calls lure the wondering listener further into WoW’s world. A trumpet solo and bright violins ultimately bring a Major key resolution, whose optimism is all the more effective after the previous, uncertain mood.

And as with the City Themes, there’s one track among the Ambient Music cues that is guilty of dullness and should have been left of the soundtrack. Otherwise, it’s all sustained violins chords, lone piano notes and spherical synth layers.

The other long-winded Ambient Music cue, “Dun Morogh”, turns out to be vastly superior. During its seven minutes, “Dun Morogh” generally downcast, tragic mood doesn’t change much, but again, the string-heavy orchestration is skilfully handled and provides sufficient counterpoint to never let interest flag. It’s a constantly beautiful, sometimes moving track with some stand-out moments, such as a bitter-sweet duet for harp and oboe at , or a melancholy cello solo at The composers even manag to tastefully incorporate duduk and hand percussion towards the end of the cue.

If there’s one weakness that mars the generally favourable impression the City Themes and Ambient Music cues leave, it’s the repeated signs of structural problems. This becomes blatantly obvious in “Teldrassil”, another atmospheric, colourful Ambient Music track, which in less than four minutes features not one, but two false stops.

And when the peaceful conclusion comes in the shape of a gentle violin melody over regal choral sounds, it’s all the more disappointing that the piece just fades out, instead of finding a satisfying conclusion. Similarly, “Stormwind”‘s rousing choir melody, impressive as it is, just peters out, as if the composers had an idea for the start of a great tune, but didn’t know how to complete it.

As mentioned, the flow of “Orgrimmar” and “Thunder Bluff” is interrupted by less than subtle segues from one segment to the next.

 
 

Stormwind City Theme From World Of Warcraft – Ultra Musicas.Game Music Themes – Stormwind from World of Warcraft

 

Even though you can easily find all your favorite RPG Game soundtracks online or here on RPG Music, we strongly urge all of our visitors to support the game companies and composers behind the soundtracks by actually purchasing the Original SoundTracks to the games they really like.

We will try to provide a link to where you can purchase the soundtracks in every one of our game pages as soon as possible. Home Game Index. You are here: Home » World of Warcraft. No Ratings Yet. Invulnerability Super Mario Galaxy. New Super Mario Bros.

WarioWare: Twisted! Breath of Fire. Mario Party 8. The track’s otherwordly feeling, courtesy of synth choir, thunderous hand percussion patterns, and purposefully synthesised-sounding brass fanfares, is soon contrasted by spectral, almost harsh layers of synth washes. Throughout its running time, the cue remains fascinatingly ambiguous through the fact that most of the suspended, chromatic synth chords remain unresolved.

The searing finish, which adds an eerie, wordless male choir to the proceedings, closes a cue that feels more like Vangelis than fantasy score, miraculously without breaking the soundtrack’s continuity. The Ambient Music tracks largely repeat the same pattern that the listener has seen with the City Themes. The music mostly remains intriguingly ambivalent.

At the same time, piercing sustained violin chords remind the listener that danger might be lurking just around the corner. Only a misplaced trumpet solo at the end diminishes the joy this cue provides.

In the case of “Tanaris”, it doesn’t amount to much more than vaguely unsettling background music. Slow-moving, oppressive brass layers, tense string chord progressions and an appropriately cavernous sounding male choir all do their job in telling the listener that he faces vast, scorching lands, although the choir lacks sufficient presence in the piece’s climax to drive the cue home.

Instrumental creativity is provided in spades by “Shimmering Flats”. Glinting string and horn chords give way to a descending, chromatic string figure that clashes with layered woodwind melodies against a bouncing rhythmic backdrop, before nervous string tremoli and echoing horn calls lure the wondering listener further into WoW’s world.

A trumpet solo and bright violins ultimately bring a Major key resolution, whose optimism is all the more effective after the previous, uncertain mood. And as with the City Themes, there’s one track among the Ambient Music cues that is guilty of dullness and should have been left of the soundtrack. Otherwise, it’s all sustained violins chords, lone piano notes and spherical synth layers. The other long-winded Ambient Music cue, “Dun Morogh”, turns out to be vastly superior. During its seven minutes, “Dun Morogh” generally downcast, tragic mood doesn’t change much, but again, the string-heavy orchestration is skilfully handled and provides sufficient counterpoint to never let interest flag.

It’s a constantly beautiful, sometimes moving track with some stand-out moments, such as a bitter-sweet duet for harp and oboe at , or a melancholy cello solo at The composers even manag to tastefully incorporate duduk and hand percussion towards the end of the cue.

If there’s one weakness that mars the generally favourable impression the City Themes and Ambient Music cues leave, it’s the repeated signs of structural problems.

This becomes blatantly obvious in “Teldrassil”, another atmospheric, colourful Ambient Music track, which in less than four minutes features not one, but two false stops. And when the peaceful conclusion comes in the shape of a gentle violin melody over regal choral sounds, it’s all the more disappointing that the piece just fades out, instead of finding a satisfying conclusion.

Similarly, “Stormwind”‘s rousing choir melody, impressive as it is, just peters out, as if the composers had an idea for the start of a great tune, but didn’t know how to complete it. As mentioned, the flow of “Orgrimmar” and “Thunder Bluff” is interrupted by less than subtle segues from one segment to the next. And “Legacy” shifts abruptly from lush orchestral bombast to Oriental material. As co-composer Jason Hayes pointed out in an interview, scoring a game in which the player might spend hours on end in the same area is an immense challenge, which will be very difficult to meet with completely through-composed compositions.

Still, there’s a marked discrepancy between tracks on this soundtrack that flow quite effortlessly, and others which display the problems described above, which makes for a sometime jarring listening experience. Tucked away at the end of the album are what the soundtrack calls Intro Cues.

These are effectively bonus tracks and, luckily, they’re all long and substantial enough to not feel like throwaways, but they don’t exactly seem essential either.

Highlights include “Moonfall”, with a moving flute solo against floating, airy female choir, “Temple” and “Sacred”, which manage to summon the requisite religious aura within their short running time, and “Graveyard”, a composition for choir with minimal orchestral accompaniment. The echoing layers of female and children choir voices, drenched in sadness while calling from another world, are mesmerising.

Unfortunately, the album ends with the heavy march rhythms of “War”, which is the one cue that shouldn’t end by simply looping, but it does so to simply anti-climactic effect.

It’s a well-known platitude, but in the case of World of Warcraft ‘s soundtrack, it’s worth restating: don’t judge a book by it’s cover or in this case, by its first few cues. World of Warcraft ‘s score begins as another one of those epic, booming fantasy soundtracks that fans of the genre have come to expect, although there’s a case to be made for it being one of the earlier game soundtracks to deploy this type of powerful, overly martial sound. However, soon the soundtrack opens up and incorporates a multitude of moods and orchestral colours that convincingly portray the different races of World of Warcraft and the huge world they inhabit.

Particularly on the more orchestrally-minded tracks, the composers demonstrate their obvious skills through varied orchestrations and skillfully created counterpuntal layers. And when they turn their hand on some less traditional material — particularly when synths are incorporated into the music — the composers’ experiments are usually successful and add to the score’s appeal, enhancing the music while not breaking the overall atmosphere.

Unfortunately then, the spell that World of Warcraft casts upon the listener is broken by some less-then-stellar compositions and a number of cues that fail to convince on a structural level, be it through unnecessary false stops, abrupt changes in style, or uninspired closing bars. These deficits make World of Warcraft ‘s soundtrack a score that doesn’t quite live up to its slightly inflated reputation.

But it still remains an easy recommendation for fans of the game and admirers of symphonic fantasy sounds, and it certainly is a worthy aural accompaniment to one of the biggest games of all time. Rate album! Tracklist Reviews News Overview It’s no exaggeration to state that World of Warcraft has proven to be one of the most influential and successful computer games of all time. Summary It’s a well-known platitude, but in the case of World of Warcraft ‘s soundtrack, it’s worth restating: don’t judge a book by it’s cover or in this case, by its first few cues.

Here you can freely listen to preview tracks from World of Warcraft Soundtrack. Bush and was released on January 01, Soundtrack consists of tracks with duration over more than hour. Album was released by Blizzard Entertainment. Sounds like Classical – that’s what we can say about this album. Tracks preview provided by iTunes.

If you like World of Warcraft Soundtrack , we strongly recommend to buy it. Support composers, artists and performers so they can release more music in the future.

Prices and shops where you can buy it are at the right column. Average album rating: 9. CD CD. Sasanoha ni, Utakata ni. Wednesday Original Series Soundtrack. Houkago Cinderella 2 Original SoundTrack. All rights reserved. Full or partial copying is strictly prohibited.

All trademarks, logos and images are belong to their legitimate owners. Sign up Forgot password? Main Title: Legends of Azeroth.

 

Wow stormwind soundtrack download

 

Players are able to choose between two factions, the Horde or Alliance, and pick between a selection of races depending on their faction. They then pick a class, each filling a different role, and play to the maximum level.

The areas and zones in World of Warcraft are very colorful and vibrant, giving the world a feeling of ‘being alive’, which is coupled with music that sets the mood very well. Listen to the World of Warcraft Soundtrack for free. Our goal is to have every soundtrack from every RPG game listed here on the website.

Aside from RPG Music, we will also include soundtracks from other popular video games as well. Even though you can easily find all your favorite RPG Game soundtracks online or here on RPG Music, we strongly urge all of our visitors to support the game companies and composers behind the soundtracks by actually purchasing the Original SoundTracks to the games they really like.

We will try to provide a link to where you can purchase the soundtracks in every one of our game pages as soon as possible. Home Game Index. You are here: Home » World of Warcraft. No Ratings Yet. Invulnerability Super Mario Galaxy. New Super Mario Bros. WarioWare: Twisted! Breath of Fire. Mario Party 8. Pokemon Pinball. Tales of the Abyss. Ogre Battle Person of Lordly Caliber. Tales of Destiny. Buy the Official Soundtracks Even though you can easily find all your favorite RPG Game soundtracks online or here on RPG Music, we strongly urge all of our visitors to support the game companies and composers behind the soundtracks by actually purchasing the Original SoundTracks to the games they really like.

 
 

Wow stormwind soundtrack download

 
 

Needs the song that is played when going through Shatterspear Pass in Darkshore. My favorite song in the world. So epic. Please add soon! I am also looking for the song that comes when u installed the game The Barrens theme is missing I think anyone know where to find it please respond.

Thank You. This is one of the best Game Ost ever!!!! My blood really starts runing fast when i hear “Call to Arms” or “Stormwind” Blizzard made some realy good cew to make these songs Is it working for anyone else?

Or is it the same thing except edited for that particular cinematic? Moonfall and song of elune is awesome! I also want to download Warsong Gulch battleground tracks, but couldnt find yet.. I am looking for the song that comes when u installed the game When I can subscribe?. Like an instance song. This is absulouely fantastic -the whole family loves it. On a long car drive one can now mentally be in Azerroth Good job!

Where can i find song of ZG and anq qiraj? Iff any1 finds it pls respond, i dont know iff its on the server or not , but i am not going to try those game rip songs from WOW. Need to get the Brewfest and Darkmoon Faire “songs” in here. Brewfest was hilarious, especially with all of the goblins. How come you can’t ever find the Dark Moon Faire song.

I really wish I could find it. I love the pure power in Wow’s songs. I think they suite the game quiet well. Track 21 – Tanaris is missing! If anyone has it, please upload it to our database. Thanks, Grym Reaper. Miss a album- Mists of Pandaria. Guest Reviewer Apr 25th, Offline. What happened to the mists of pandaria soundtrack? It was here before now it’s not. Please upload dungeons and raids soundtrack too.

Scott Apr 25th, Offline. Right click and save as Thanks, perfect!!!!!!!! Add a link to this page on your video description, send us the link to your video gamemusicthemes gmail. Have you got a different arrangement of this theme on your website? Tell us on the comments and we’ll put a link here, or submit it to us! More World of Warcraft sheet music. More Personal Computer PC sheet music. Musical Comments. Stormwind from World of Warcraft In this page you will find information and downloads about the musical theme known as “Stormwind” from the Personal Computer PC game “World of Warcraft”.

Other arrangements Have you got a different arrangement of this theme on your website? Support us! Stormwind from World of Warcraft.